miércoles, 3 de octubre de 2012

Dickens Family



Dickens family


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 (Redirected from Dickens Family)
The Dickens family are the descendants of John Dickens, the father of the English novelist Charles Dickens. John Dickens was a clerk in the Royal Navy Pay Office and had eight children from his marriage to Elizabeth Barrow. Their second child was Charles Dickens, whose descendents include the novelist Monica Dickens, the writer Lucinda Dickens Hawksley and the actors Harry Lloyd and Brian Forster.
The family members include:
·        John Dickens (1785–1851)
o   married Elizabeth Barrow (1789–1863); 8 children
·        Frances (Fanny) Elizabeth Dickens (1810–1848)
·        Charles Dickens (1812–1870), English novelist of the Victorian era
o   married Catherine Hogarth (1815–1879); 10 children
·        Charles Dickens, Jr. (1837–1896), editor and writer, married Elisabeth Matilda Moule Evans; 8 children, including
·        Mary Angela Dickens (1863–1948) or (1862–1946), British writer of Childrens Stories from Dickens
·        Sydney Margaret Dickens, married Thomas Whinney
·        Humphrey Whinney
·        Michael Whinney, Church of England bishop
·        Mary "Mamie" Dickens (1838–1896)
·        Kate Dickens (1839–1929), artist, married (i) Charles Allston Collins (1828–1872), (ii) Charles Edward Perugini (1839–1918); 1 child by (ii), died in infancy.
·        Walter Landor Dickens (1841–1863), officer in the British Indian Army
·        Francis Dickens (1844–1886), member of the Royal Canadian Mounted Police
·        Alfred D'Orsay Tennyson Dickens (1845–1912), emigrated to Australia; lecturer on his father's life; 2 daughters
·        Sydney Smith Haldimand Dickens (1847–1872) a Royal Navy officer
·        Henry Fielding Dickens (1849–1933), King's Counsel and barrister; married Marie Roche (1852–1940); 7 children
·        Enid Henrietta Dickens (1877–1950) married Ernest Bouchier Hawksley (1876–1931)
·        Aileen Dickens Bouchier Hawksley (1907–1961) married (i) Downing (ii) Alan Napier-Clavering[1]
·        Jennifer Downing (1932–1993) actress, married Peter Forster (1920–1982)
·        Brian Forster (born 1960) actor, great-great-great grandson of Charles Dickens[2]
·        Cyril Dickens Bouchier Hawksley (1909–1976)
·        Henry Dickens Bouchier Hawksley (born 1932)
·        Lucinda Anne Dickens Hawksley (born 1970), author, great-great-great granddaughter of Charles Dickens
·        Henry Charles Dickens (1878–1966)
·        Monica Dickens (1915–1992), British writer, great-granddaughter of Charles Dickens
·        Gerald Charles Dickens (1879–1962), Admiral in the Royal Navy
·        Peter Gerald Charles Dickens (1917–1987), Captain in the Royal Navy
·        Mark Dickens, Royal Navy officer[3]
·        Marion Evelyn Dickens (born 1952)
·        Harry Lloyd (born 1983), actor, great-great-great grandson of Charles Dickens
·        David Charles Dickens (1925–2005), editor of medical books, great grandson of Charles Dickens
·        Gerald Charles Dickens (born 1963), actor, great-great grandson of Charles Dickens
·        Philip Charles Dickens (1887–1964)
·        Cedric Charles Dickens (1916–2006), great-grandson of Charles Dickens and steward of his literary legacyCedric Charles Dickens (1889–1916), died in World War I
·        Dora Annie Dickens (1850–1851)
·        Edward Dickens (1852–1902), emigrated to Australia
·        Alfred Allen Dickens (1813–1813)
·        Letitia Dickens (1816–1893)
·        Harriet Dickens (1819–1824)
·        Frederick Dickens (1820–1868)
·        Alfred Lamert Dickens (1822–1860)
·        Augustus Dickens (1827–1866)

Novels Etc ...


Novels

[edit]Short story collections

Christmas numbers of Household Words magazine:
  • What Christmas Is, as We Grow Older (1851)
  • A Round of Stories by the Christmas Fire (1852)
  • Another Round of Stories by the Christmas Fire(1853)
  • The Seven Poor Travellers (1854)
  • The Holly-Tree Inn (1855)
  • The Wreck of the "Golden Mary" (1856)
  • The Perils of Certain English Prisoners (1857)
  • A House to Let (1858)
Christmas numbers of All the Year Round magazine:
  • The Haunted House (1859)
  • A Message from the Sea (1860)
  • Tom Tiddler's Ground (1861)
  • Somebody's Luggage (1862)
  • Mrs. Lirriper's Lodgings (1863)
  • Mrs. Lirriper's Legacy (1864)
  • Doctor Marigold's Prescriptions (1865)
  • Mugby Junction (1866)
  • No Thoroughfare (1867)

[edit]Selected non-fiction, poetry, and plays

Influence , legacy and Notable works


Influence and legacy
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Bleak House in Broadstairs, Kent, where Dickens wrote some of his novels
Museums and festivals celebrating Dickens's life and works exist in many places with which Dickens was associated, such as the Charles Dickens Birthplace Museum in Portsmouth, the house in which he was born. The original manuscripts of many of his novels, as well as printers' proofs, first editions, and illustrations from the collection of Dickens's friend John Forster are held at the Victoria and Albert Museum.Dickens's will stipulated that no memorial be erected in his honour. The only life-size bronze statue of Dickens, cast in 1891 by Francis Edwin Elwell, can be found in Clark Park in the Spruce Hill neighbourhood of Philadelphia.
Dickens was commemorated on the Series E £10 note issued by the Bank of England that was in circulation in the UK between 1992 and 2003. His portrait appeared on the reverse of the note accompanied by a scene from The Pickwick Papers. A theme park, Dickens World, standing in part on the site of the former naval dockyard where Dickens's father once worked in the Navy Pay Office, opened inChatham in 2007, and to celebrate the 200th anniversary of the birth of Charles Dickens in 2012, the Museum of London held the UK's first major exhibition on the author in 40 years. In the UK survey entitled The Big Read carried out by the BBC in 2003, five of Dickens's books were named in the Top 100.
Notable works
Charles Dickens published over a dozen major novels, a large number of short stories (including a number of Christmas-themed stories), a handful of plays, and several non-fiction books. Dickens's novels were initially serialised in weekly and monthly magazines, then reprinted in standard book formats.

Literary techniques and Reception


Literary techniques

Dickens is often described as using 'idealised' characters and highly sentimental scenes to contrast with his caricatures and the ugly social truths he reveals. The story of Nell Trent in The Old Curiosity Shop (1841) was received as extraordinarily moving by contemporary readers but viewed as ludicrously sentimental by Oscar Wilde. "You would need to have a heart of stone", he declared in one of his famous witticisms, "not to laugh at the death of little Nell." G. K. Chesterton, stating that "It is not the death of little Nell, but the life of little Nell, that I object to", argued that the maudlin effect of his description of her life owed much to the gregarious nature of Dickens's grief, his 'despotic' use of people's feelings to move them to tears in works like this.
In Oliver Twist Dickens provides readers with an idealised portrait of a boy so inherently and unrealistically 'good' that his values are never subverted by either brutal orphanages or coerced involvement in a gang of young pickpockets. While later novels also centre on idealised characters (Esther Summerson in Bleak House and Amy Dorrit in Little Dorrit), this idealism serves only to highlight Dickens's goal of poignant social commentary. Many of his novels are concerned with social realism, focusing on mechanisms of social control that direct people's lives (for instance, factory networks in Hard Times and hypocritical exclusionary class codes in Our Mutual Friend).[citation needed] Dickens's fiction, reflecting what he believed to be true of his own life, scintillates with coincidences. Oliver Twist turns out to be the lost nephew of the upper-class family that randomly rescues him from the dangers of the pickpocket group. Such coincidences are a staple of 18th-century picaresque novels, such as Henry Fielding's Tom Jones that Dickens enjoyed reading as a youth.
Reception
Dickens was the most popular novelist of his time, and remains one of the best known and most read of English authors. His works have never gone out of print,and have been adapted continuously for the screen since the invention of cinema,with at least 200 motion pictures and TV adaptations based on Dickens's works documented.Many of his works were adapted for the stage during his own lifetime and as early as 1913, a silent film of The Pickwick Papers was made.
Among fellow writers, Dickens has been both lionized and mocked. Leo Tolstoy, G. K. Chesterton and George Orwell praised his realism, comic voice, prose fluency, and genius for satiric caricature, as well as his passionate advocacy on behalf of children and the poor. On the other hand, Oscar Wilde generally disparaged his depiction of character, while admiring his gift for caricature;His late contemporary William Wordsworth, by then Poet laureate, thought him a "very talkative, vulgar young person", adding he had not read a line of his work; Dickens in return thought Wordsworth "a dreadful Old Ass". Henry James denied him a premier position, calling him, "the greatest of superficial novelists": Dickens failed to endow his characters with psychological depth and the novels, "loose baggy monsters"betrayed a "cavalier organisation". Virginia Woolf had a love-hate relationship with his works, finding his novels "mesmerizing" while reproving him for his sentimentalism and a commonplace style.
It is likely that A Christmas Carol stands as his best-known story, with frequent new adaptations. It is also the most-filmed of Dickens's stories, with many versions dating from the early years of cinema.According to the historian Ronald Hutton, the current state of the observance of Christmas is largely the result of a mid-Victorian revival of the holiday spearheaded by A Christmas Carol. Dickens catalysed the emerging Christmas as a family-centred festival of generosity, in contrast to the dwindling community-based and church-centred observations, as new middle-class expectations arose.[118] Its archetypal figures (Scrooge, Tiny Tim, the Christmas ghosts) entered into Western cultural consciousness. A prominent phrase from the tale, 'Merry Christmas', was popularised following the appearance of the story. The term Scrooge became a synonym for miser, and his dismissive put-down exclamation 'Bah! Humbug!' likewise gained currency as an idiom. Novelist William Makepeace Thackeray called the book "a national benefit, and to every man and woman who reads it a personal kindness".
At a time when Britain was the major economic and political power of the world, Dickens highlighted the life of the forgotten poor and disadvantaged within society. Through his journalism he campaigned on specific issues—such as sanitation and the workhouse—but his fiction probably demonstrated its greatest prowess in changing public opinion in regard to class inequalities. He often depicted the exploitation and oppression of the poor and condemned the public officials and institutions that not only allowed such abuses to exist, but flourished as a result. His most strident indictment of this condition is in Hard Times (1854), Dickens's only novel-length treatment of the industrial working class. In this work, he uses both vitriol and satire to illustrate how this marginalised social stratum was termed "Hands" by the factory owners; that is, not really "people" but rather only appendages of the machines that they operated. His writings inspired others, in particular journalists and political figures, to address such problems of class oppression. For example, the prison scenes in The Pickwick Papers are claimed to have been influential in having the Fleet Prison shut down. Karl Marx asserted that Dickens ..."issued to the world more political and social truths than have been uttered by all the professional politicians, publicists and moralists put together". George Bernard Shaw even remarked thatGreat Expectations was more seditious than Marx's own Das Kapital. The exceptional popularity of his novels, even those with socially oppositional themes (Bleak House, 1853; Little Dorrit, 1857; Our Mutual Friend, 1865) underscored not only his almost preternatural ability to create compelling storylines and unforgettable characters, but also ensured that the Victorian public confronted issues of social justice that had commonly been ignored. It has been argued that his technique of flooding his narratives with an 'unruly superfluity of material' that, in the gradual dénouement, yields up an unsuspected order, influenced the organisation of Charles Darwin's On the Origin of Species.
His fiction, with often vivid descriptions of life in 19th-century England, has inaccurately and anachronistically come to symbolise on a global level Victorian society (1837 – 1901) as uniformly "Dickensian", when in fact, his novels' time scope spanned from the 1770s to the 1860s. In the decade following his death in 1870, a more intense degree of socially and philosophically pessimistic perspectives invested British fiction; such themes stood in marked contrast to the religious faith that ultimately held together even the bleakest of Dickens's novels. Dickens clearly influenced later Victorian novelists such as Thomas Hardy and George Gissing; their works display a greater willingness to confront and challenge the Victorian institution of religion. They also portray characters caught up by social forces (primarily via lower-class conditions), but they usually steered them to tragic ends beyond their control.

Episodic writing and Social commentary


 Episodic writing
Most of Dickens's major novels were first written in monthly or weekly instalments in journals such as Master Humphrey's Clock and Household Words, later reprinted in book form. These instalments made the stories cheap, accessible and the series of regular cliff-hangers made each new episode widely anticipated. When The Old Curiosity Shop was being serialized, American fans even waited at the docks in New York, shouting out to the crew of an incoming ship, "Is little Nell dead?" Part of Dickens's great talent was to incorporate this episodic writing style but still end up with a coherent novel at the end.
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"Charles Dickens as he appears when reading." Wood engraving from Harper's Weekly, 7 December 1867
Another important impact of Dickens's episodic writing style resulted from his exposure to the opinions of his readers and friends. His friend Forster had a significant hand, reviewing his drafts, that went beyond matters of punctation. He toned down melodramatic and sensationalist exaggerations, cut long passages, (such as the episode of Quilp's drowning in The Old Curiosity Shop), and made suggestions about plot and character. It was he who suggested that Charley Bates should be redeemed in Oliver Twist. Dickens had not thought of killing Little Nell, and it was Forster who advised him to entertain this possibility as necessary to his conception of the heroine.
Social commentary
Dickens's novels were, among other things, works of social commentary. He was a fierce critic of the poverty and social stratification ofVictorian society. In a New York address, he expressed his belief that, "Virtue shows quite as well in rags and patches as she does in purple and fine linen".Dickens's second novel, Oliver Twist (1839), shocked readers with its images of poverty and crime: it destroyed middle class polemics about criminals, making any pretence to ignorance about what poverty entailed impossible.

Characters and Autobiographical elements


 Characters
Dickens's biographer Claire Tomalin regards him as the greatest creator of character in English fiction after Shakespeare.Dickensian characters, especially so because of their typically whimsical names, are amongst the most memorable in English literature. The likes of Ebenezer Scrooge, Tiny Tim, Jacob Marley, Bob Cratchit, Oliver Twist, The Artful Dodger, Fagin, Bill Sikes, Pip, Miss Havisham, Charles Darnay, David Copperfield, Mr. Micawber, Abel Magwitch, Daniel Quilp, Samuel Pickwick, Wackford Squeers, Uriah Heepare so well known as to be part and parcel of British culture, and in some cases have passed into ordinary language: a scrooge, for example, is a miser.
His characters were often so memorable that they took on a life of their own outside his books. Gamp became a slang expression for an umbrella from the character Mrs Gamp and Pickwickian, Pecksniffian, and Gradgrind all entered dictionaries due to Dickens's original portraits of such characters who were quixotic, hypocritical, or vapidly factual. Many were drawn from real life: Mrs Nickleby is based on his mother, though she didn't recognize herself in the portrait, just as Mr Micawber is constructed from aspects of his father's 'rhetorical exuberance':Harold Skimpole in Bleak House, is based on James Henry Leigh Hunt: his wife's dwarfish chiropodist recognized herself in Miss Mowcher in David Copperfield. Perhaps Dickens's impressions on his meeting with Hans Christian Andersen informed the delineation of Uriah Heep.
Virginia Woolf maintained that "we remodel our psychological geography when we read Dickens" as he produces "characters who exist not in detail, not accurately or exactly, but abundantly in a cluster of wild yet extraordinarily revealing remarks."
One "character" vividly drawn throughout his novels is London itself. From the coaching inns on the outskirts of the city to the lower reaches of the Thames, all aspects of the capital are described over the course of his body of work.
Autobiographical elements
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An original illustration by Phiz from the novel "David Copperfield", widely regarded as Dickens's most autobiographical work.
Authors frequently draw their portraits of characters from people they have known in real life. David Copperfield is regarded as strongly autobiographical. The scenes in Bleak House of interminable court cases and legal arguments reflect Dickens's experiences as law clerk and court reporter, and in particular his direct experience of the law's procedural delay during 1844 when he sued publishers in Chancery for breach of copyright. Dickens's father was sent to prison for debt, and this became a common theme in many of his books, with the detailed depiction of life in the Marshalsea prison in Little Dorrit resulting from Dickens's own experiences of the institution.Lucy Stroughill, a childhood sweetheart may have affected several of Dickens's portraits of girls such as Little Em'ly in David Copperfield and Lucie Manette in A Tale of Two Cities.Dickens may have drawn on his childhood experiences, but he was also ashamed of them and would not reveal that this was where he gathered his realistic accounts of squalor. Very few knew the details of his early life until six years after his death when John Forster published a biography on which Dickens had collaborated. Even figures based on real people can, at the same time, represent at the same time elements of the writer's own personality. Though Skimpole brutally sends up Leigh Hunt, some critics have detected in his portrait features of Dickens's own character, which he sought to exorcise by self-parody.