miércoles, 3 de octubre de 2012

Journalism and early novels


Journalism and early novels

In 1832, at age 20, Dickens was energetic, full of good humour, enjoyed mimicry and popular entertainment, lacked a clear sense of what he wanted to become, yet knew he wanted to be famous. He was drawn to the theatre and landed an acting audition at Covent Garden, for which he prepared meticulously but which he missed because of a cold, ending his aspirations for a career on the stage. A year later he submitted his first story, "A Dinner at Poplar Walk" to the London periodical, Monthly Magazine. He rented rooms at Furnival's Inn becoming a political journalist, reporting on parliamentary debate and travelling across Britain to cover election campaigns for the Morning Chronicle. His journalism, in the form of sketches in periodicals, formed his first collection of pieces Sketches by Boz—Boz being a family nickname he employed as a pseudonym for some years—published in 1836. Dickens apparently adopted it from the nickname Moses which he had given to his youngest brother Augustus Dickens, after a character in Oliver Goldsmith's The Vicar of Wakefield. When pronounced by anyone with a headcold, 'Moses' became 'Boses', and was later shortened to Boz. Dickens's own name was considered "queer" by a contemporary critic, who wrote in 1849: "Mr Dickens, as if in revenge for his own queer name, does bestow still queerer ones upon his fictitious creations." He continued to contribute to and edit journals throughout his literary career.
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Catherine Hogarth Dickens bySamuel Lawrence (1838)
The success of these sketches led to a proposal from publishers Chapman and Hall for Dickens to supply text to match Robert Seymour's engraved illustrations in a monthly letterpress. Seymour committed suicide after the second instalment and Dickens, who wanted to write a connected series or sketches, hired "Phiz" to provide the engravings (which were reduced from four to two per instalment) for the story. The resulting story was the The Pickwick Papers with the final instalment selling 40,000 copies.
In November 1836 Dickens accepted the job of editor of Bentley's Miscellany, a position he held for three years, until he fell out with the owner.In 1836 as he finished the last instalments of The Pickwick Papers he began writing the beginning instalments of Oliver Twist—writing as many as 90 pages a month—while continuing work on Bentley's, writing four plays, the production of which he oversaw. Oliver Twist, published in 1838, became one of Dickens's better known stories, with dialogue that transferred well to the stage (most likely because he was writing stage plays at the same time) and more importantly, it was the first Victorian novel with a child protagonist.
File:Charles Dickens by Daniel Maclise.jpg
An 1839 portrait of a young Charles Dickens by Daniel Maclise
On 2 April 1836, after a one year engagement during which he wrote The Pickwick Papers, he marriedCatherine Thomson Hogarth (1816–1879), the daughter of George Hogarth, editor of the Evening ChronicleAfter a brief honeymoon in Chalk, Kent, they returned to lodgings at Furnival's InnThe first of ten children, Charley, was born in January 1837, and a few months later the family set up home in Bloomsbury at 48 Doughty Street, London, (on which Charles had a three-year lease at £80 a year) from 25 March 1837 until December 1839. Dickens's younger brother Frederick and Catherine's 17-year-old sister Mary moved in with them. Dickens became very attached to Mary, and she died in his arms after a brief illness in 1837. Dickens idealised her and is thought to have drawn on memories of her for his later descriptions of Rose Maylie, Little Nell and Florence Dombey. His grief was so great that he was unable to make the deadline for the June instalment of Pickwick Papers and had to cancel the Oliver Twist instalment that month as well.
At the same time, his success as a novelist continued, Nicholas Nickleby (1838–39), The Old Curiosity Shop and, finally, Barnaby Rudge: A Tale of the Riots of 'Eighty as part of the Master Humphrey's Clock series (1840–41)—all published in monthly instalments before being made into books.















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