miércoles, 3 de octubre de 2012
Novels Etc ...
Novels
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[edit]Short story collections
- Sketches by Boz (1836)
- The Mudfog Papers (1837) in Bentley's Miscellany magazine
- Reprinted Pieces (1861)
- The Uncommercial Traveller (1860–1869)
Christmas numbers of Household Words magazine:
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Christmas numbers of All the Year Round magazine:
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[edit]Selected non-fiction, poetry, and plays
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Influence , legacy and Notable works
Influence and legacy
Museums and festivals celebrating Dickens's life and works exist in many
places with which Dickens was associated, such as the Charles Dickens
Birthplace Museum in Portsmouth, the house in
which he was born. The original manuscripts of many of his novels, as well as
printers' proofs, first editions, and illustrations from the collection of
Dickens's friend John Forster are held at the Victoria and Albert Museum.Dickens's will stipulated that no memorial be erected
in his honour. The only life-size bronze statue of Dickens, cast in 1891 by Francis Edwin Elwell, can be found in Clark Park in the Spruce
Hill neighbourhood of Philadelphia.
Dickens was commemorated on the Series E £10 note issued by the Bank of England that was in
circulation in the UK between 1992 and 2003. His portrait appeared on the
reverse of the note accompanied by a scene from The
Pickwick Papers. A theme park, Dickens World, standing in part on the site of the former naval dockyard where Dickens's
father once worked in the Navy Pay Office, opened inChatham in 2007, and to celebrate the 200th anniversary of the
birth of Charles Dickens in 2012, the Museum of London held the UK's
first major exhibition on the author in 40 years. In the UK survey entitled The Big Read carried out by the BBC in 2003, five of Dickens's books were named in the Top 100.
Notable works
Charles Dickens published over a dozen major novels, a large number of
short stories (including a number of Christmas-themed stories), a handful of
plays, and several non-fiction books. Dickens's novels were initially
serialised in weekly and monthly magazines, then reprinted in standard book
formats.
Literary techniques and Reception
Literary
techniques
Dickens is often described as using 'idealised' characters and highly
sentimental scenes to contrast with his caricatures and the ugly
social truths he reveals. The story of Nell Trent in The Old Curiosity
Shop (1841) was received as extraordinarily moving by contemporary readers but
viewed as ludicrously sentimental by Oscar Wilde. "You would
need to have a heart of stone", he declared in one of his famous
witticisms, "not to laugh at the death of little Nell." G. K. Chesterton, stating that "It is not the death of little Nell, but the life of
little Nell, that I object to", argued that the maudlin effect of his
description of her life owed much to the gregarious nature of Dickens's grief,
his 'despotic' use of people's feelings to move them to tears in works like
this.
In Oliver Twist Dickens provides readers with an idealised portrait of a boy so inherently
and unrealistically 'good' that his values are never subverted by either brutal
orphanages or coerced involvement in a gang of young pickpockets. While later novels also centre on idealised characters (Esther Summerson
in Bleak House and Amy Dorrit in Little Dorrit), this idealism serves only to highlight Dickens's goal of poignant social
commentary. Many of his novels are concerned with social realism, focusing on
mechanisms of social control that direct people's lives (for instance, factory
networks in Hard Times and hypocritical exclusionary class codes in Our Mutual Friend).[citation needed] Dickens's fiction, reflecting what he believed to be true of his own life,
scintillates with coincidences. Oliver Twist turns out to be the lost nephew of the
upper-class family that randomly rescues him from the dangers of the pickpocket
group. Such coincidences are a staple of 18th-century picaresque novels, such
as Henry Fielding's Tom
Jones that Dickens enjoyed reading as a youth.
Reception
Dickens was the most popular novelist of his time, and remains one of the best known and most read of
English authors. His works have never gone out of print,and have been adapted continuously for the screen
since the invention of cinema,with at least 200 motion pictures and TV adaptations
based on Dickens's works documented.Many of his works were adapted for the stage during
his own lifetime and as early as 1913, a silent film of The Pickwick
Papers was made.
Among fellow writers, Dickens has been both lionized and mocked. Leo Tolstoy, G. K. Chesterton and George Orwell praised his realism, comic voice,
prose fluency, and genius for satiric caricature, as well as his passionate advocacy on behalf of children and the poor. On the other hand,
Oscar Wilde generally disparaged his depiction of character, while admiring his
gift for caricature;His late contemporary William Wordsworth, by then Poet laureate, thought him a
"very talkative, vulgar young person", adding he had not read a line
of his work; Dickens in return thought Wordsworth "a dreadful Old
Ass". Henry James denied him a premier position, calling
him, "the greatest of superficial novelists": Dickens failed to endow
his characters with psychological depth and the novels, "loose baggy
monsters"betrayed a "cavalier organisation". Virginia Woolf had a love-hate relationship with his
works, finding his novels "mesmerizing" while reproving him for his
sentimentalism and a commonplace style.
It is likely that A Christmas Carol stands as his
best-known story, with frequent new adaptations. It is also the most-filmed of
Dickens's stories, with many versions dating from the early years of cinema.According to the historian Ronald Hutton, the current state of the observance of Christmas is largely the result of
a mid-Victorian revival of the holiday spearheaded by A Christmas Carol. Dickens catalysed the emerging Christmas as a family-centred festival of
generosity, in contrast to the dwindling community-based and church-centred
observations, as new middle-class expectations arose.[118] Its archetypal figures (Scrooge, Tiny Tim, the
Christmas ghosts) entered into Western cultural consciousness. A prominent
phrase from the tale, 'Merry Christmas', was popularised following the appearance of the story. The term Scrooge became a synonym for miser, and his
dismissive put-down exclamation 'Bah! Humbug!' likewise gained currency as an idiom. Novelist William Makepeace Thackeray called the book
"a national benefit, and to every man and woman who reads it a personal
kindness".
At a time when Britain was the major economic and political power of the
world, Dickens highlighted the life of the forgotten poor and disadvantaged
within society. Through his journalism he campaigned on specific issues—such as sanitation and the workhouse—but his fiction probably demonstrated its greatest prowess in changing
public opinion in regard to class inequalities. He often depicted the
exploitation and oppression of the poor and condemned the public officials and
institutions that not only allowed such abuses to exist, but flourished as a
result. His most strident indictment of this condition is in Hard Times (1854), Dickens's
only novel-length treatment of the industrial working class. In this work, he
uses both vitriol and satire to illustrate how this marginalised social stratum
was termed "Hands" by the factory owners; that is, not really
"people" but rather only appendages of the machines that they
operated. His writings inspired others, in particular journalists and political
figures, to address such problems of class oppression. For example, the prison
scenes in The Pickwick Papers are claimed to have been influential in having the Fleet Prison shut down. Karl Marx asserted that
Dickens ..."issued to the world more political and social truths than
have been uttered by all the professional politicians, publicists and moralists
put together". George Bernard Shaw even remarked thatGreat
Expectations was more seditious than Marx's own Das Kapital. The exceptional popularity of his novels, even those
with socially oppositional themes (Bleak House, 1853; Little Dorrit, 1857; Our Mutual Friend, 1865)
underscored not only his almost preternatural ability to create compelling
storylines and unforgettable characters, but also ensured that the Victorian
public confronted issues of social justice that had commonly been ignored. It
has been argued that his technique of flooding his narratives with an 'unruly
superfluity of material' that, in the gradual dénouement, yields up an
unsuspected order, influenced the organisation of Charles Darwin's On the Origin of Species.
His fiction, with often vivid descriptions of life in 19th-century England,
has inaccurately and anachronistically come to symbolise on a global level
Victorian society (1837 – 1901) as uniformly "Dickensian", when
in fact, his novels' time scope spanned from the 1770s to the 1860s. In the
decade following his death in 1870, a more intense degree of socially and
philosophically pessimistic perspectives invested British fiction; such themes
stood in marked contrast to the religious faith that ultimately held together
even the bleakest of Dickens's novels. Dickens clearly influenced later
Victorian novelists such as Thomas Hardy and George Gissing; their works
display a greater willingness to confront and challenge the Victorian
institution of religion. They also portray characters caught up by social
forces (primarily via lower-class conditions), but they usually steered them to
tragic ends beyond their control.
Episodic writing and Social commentary
Episodic writing
Most of Dickens's major novels were first written in monthly or weekly
instalments in journals such as Master Humphrey's Clock and Household Words, later reprinted
in book form. These instalments made the stories cheap, accessible and the
series of regular cliff-hangers made each new episode widely anticipated. When The Old Curiosity Shop was being
serialized, American fans even waited at the docks in New York, shouting out to
the crew of an incoming ship, "Is little Nell dead?" Part of Dickens's great talent was to incorporate this
episodic writing style but still end up with a coherent novel at the end.
Another important impact of Dickens's episodic writing style resulted from
his exposure to the opinions of his readers and friends. His friend Forster had
a significant hand, reviewing his drafts, that went beyond matters of
punctation. He toned down melodramatic and sensationalist exaggerations, cut
long passages, (such as the episode of Quilp's drowning in The Old Curiosity
Shop), and made suggestions about plot and character. It
was he who suggested that Charley Bates should be redeemed in Oliver Twist. Dickens had not thought of killing Little Nell, and it was Forster who
advised him to entertain this possibility as necessary to his conception of the
heroine.
Social commentary
Dickens's novels were, among other things, works of social commentary. He was a fierce
critic of the poverty and social stratification ofVictorian society. In a New York address, he expressed his
belief that, "Virtue shows quite as well in rags and patches as she does
in purple and fine linen".Dickens's second novel, Oliver Twist (1839), shocked
readers with its images of poverty and crime: it destroyed middle class
polemics about criminals, making any pretence to ignorance about what poverty
entailed impossible.
Characters and Autobiographical elements
Characters
Dickens's biographer Claire Tomalin regards him as the greatest creator of
character in English fiction after Shakespeare.Dickensian characters, especially so because of their typically whimsical names, are amongst the
most memorable in English literature. The likes of Ebenezer Scrooge, Tiny Tim, Jacob Marley, Bob Cratchit, Oliver Twist, The Artful Dodger, Fagin, Bill Sikes, Pip, Miss Havisham, Charles Darnay, David Copperfield, Mr. Micawber, Abel Magwitch, Daniel Quilp, Samuel Pickwick, Wackford Squeers, Uriah Heepare so well known as to be part and parcel of British culture, and in some
cases have passed into ordinary language: a scrooge, for example, is a miser.
His characters were often so memorable that they took on a life of their
own outside his books. Gamp became a slang expression for an umbrella from the
character Mrs Gamp and Pickwickian, Pecksniffian, and Gradgrind all
entered dictionaries due to Dickens's original portraits of such characters who
were quixotic, hypocritical, or vapidly factual. Many were drawn from real life: Mrs
Nickleby is based on his mother, though she didn't recognize herself in the
portrait, just as Mr Micawber is constructed from aspects of his
father's 'rhetorical exuberance':Harold Skimpole in Bleak House, is based on James Henry Leigh Hunt: his wife's dwarfish chiropodist recognized herself in Miss Mowcher in David Copperfield. Perhaps Dickens's impressions on his meeting with Hans
Christian Andersen informed the delineation of Uriah Heep.
Virginia Woolf maintained that "we remodel our psychological geography
when we read Dickens" as he produces "characters who exist not in
detail, not accurately or exactly, but abundantly in a cluster of wild yet
extraordinarily revealing remarks."
One "character" vividly drawn throughout his novels is London
itself. From the coaching inns on the outskirts of the city to the lower reaches of
the Thames, all aspects of the capital are described over the course of his body of
work.
Autobiographical elements
An original illustration by Phiz from the novel "David Copperfield", widely regarded as
Dickens's most autobiographical work.
Authors frequently draw their portraits of characters from people they have
known in real life. David Copperfield is regarded as strongly autobiographical. The scenes
in Bleak House of interminable court cases and legal arguments reflect Dickens's
experiences as law clerk and court reporter, and in particular his direct
experience of the law's procedural delay during 1844 when he sued publishers in
Chancery for breach of copyright. Dickens's father was sent to prison for debt, and this
became a common theme in many of his books, with the detailed depiction of life
in the Marshalsea prison in Little Dorrit resulting from
Dickens's own experiences of the institution.Lucy Stroughill, a childhood sweetheart may have
affected several of Dickens's portraits of girls such as Little Em'ly in David Copperfield and Lucie Manette
in A Tale of Two Cities.Dickens may have drawn on his childhood experiences,
but he was also ashamed of them and would not reveal that this was where he
gathered his realistic accounts of squalor. Very few knew the details of his
early life until six years after his death when John Forster published a
biography on which Dickens had collaborated. Even figures based on real people
can, at the same time, represent at the same time elements of the writer's own
personality. Though Skimpole brutally sends up Leigh Hunt, some critics have
detected in his portrait features of Dickens's own character, which he sought
to exorcise by self-parody.
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